Scientists Recreated Chirps of Jurassic Insects, Simulating a 165 Million-yo Soundscape (Listen)

– credit, Jun-Jie Gu et al., PNAS 2026

It wasn’t just the roars of the dinosaurs that made up the soundscape of the animal world during the Jurassic period.

Crickets and grasshoppers communicated through a variety of songs and high-pitched sounds, some of which you can now listen to thanks to Thorin Jonsson from the Institute of Biology at the University of Graz.

Together with his colleagues from the universities of Lincoln, Bristol (UK), Beijing (China), and Tempe (USA) their findings on what are so far the oldest traces of sound on Earth have just been published in the journal PNAS.

Insects from the order Orthoptera, such as crickets and grasshoppers, rub wing structures against one another or against their legs to produce sounds called “stridulations.” Pitch and rhythm depend on the number and spacing of the teeth on the wing’s ridge, as well as the shape and movement of the wings.

Though vocal cords and other biological acoustic organs can’t be fossilized along with the sounds they made, the imprints left by these wings confer very precise information on the animal’s stridulations.

Jonsson’s Chinese research partners have discovered extremely well-preserved fossils of 9 different grasshopper species that lived at the same time in the same region, namely during the Middle Jurassic period in what is now Inner Mongolia.

The sound-producing structures are so clearly visible on these fossils that the biologists were able to reconstruct the pitches and musical units of the mating calls through various analyses, simulations, and AI-assisted evaluations that even produced the specific number of hertz each insect would sound off at.

“Our findings reveal a wide variety of call frequencies. Several species produced pure, low-pitched sounds like modern crickets, whilst others produced higher frequencies, similar to our native leafhoppers,” reports Jonsson.

The study isn’t just the first to do this with insects. It’s the oldest evidence of sound ever reproduced by anyone. Think of it like the famous Epitaph of Seikilos. This Greek funerary song was inscribed on a gravestone, and is able to be read by musicians several thousand years after it was last played.

Similarly, the physical features on the grasshoppers’ wings act like musical notation, and though scientists can’t reproduce them on a lyre like the Epitaph of Seikilos, AI can simulate them on a computer sound board.

One species among the 9 surprised the researchers. A relative of the katydid called Sigmaboilus peregrinus communicated in the ultrasonic range between 20 and 22 kilohertz—a frequency that’s just above the human range of hearing.

For all the delicious proof of concept novelty the study provided, this discovery carries implications for the evolutionary biology of Orthoptera.

It was previously theorized that stridulatory insects whose stridulations reach into ultrasonic frequencies were pressured to do so by the incredibly precise hearing of bats. However, S. peregrinus lived millions of years before the first known bat existed.

The team took the liberty afforded by their discovery to hypothesize other reasons why an animal would have to vocalize at such high frequencies. While not a bat, it could have been an example of the insect attempting to avoid detection by other predators. Alternatively, it could be a mating strategy by males to allow their calls to rise above the din of the Jurassic jungle night.“This allowed us to demonstrate that the world during the Jurassic Period was acoustically far richer and more diverse than previously thought,” the biologist summarizes. Scientists Recreated Chirps of Jurassic Insects, Simulating a 165 Million-yo Soundscape (Listen)
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Survey Finds Blackbirds to Have the Most Beautiful Songs in the Avian World–Science Explains Why

– SWNS

The next time you hear a blackbird singing in the dead of night, know that you’re listening to the most pleasant song in the world.

What the bird lacks in dressage it makes up for in repertoire, a new survey and study from the University of Tübingen found in which researchers set out to discover the key ingredients that make birdsong pleasant.

The blackbird topped the ‘pleasantness’ table with an average score of 4.52 out of 5, beating the willow warbler to first position (4.45) . The blackcap filled out the top 3.

“You don’t have to be a ‘bird person’ to find bird sounds beautiful,” said study author Dr. Nadine Kalb from Tübingen U. “Being able to recognize birds by their appearance or song did not affect how people rated calls.”

By asking people to listen to birdsongs and rate them for pleasantness, then cross-referencing the results with information about the calls’ acoustic characteristics, Kalb and co-authors identified key aspects that make some birdsongs seem more pleasant than others.

Participants rated the perceived pleasantness of 123 different bird songs on a scale from 1 (not very pleasant) to 5 (very pleasant). Calls which are varied, higher-pitched, and not too loud are considered most pleasant.

The research team suspected that some acoustic characteristics, such as a high amplitude—perceived as a loud noise—would be associated with a lower pleasantness rating.

But they also suspected some personal characteristics, such as individuals’ knowledge about birds, would influence pleasantness ratings, and so participants were also asked questions which measured their birding skills and their perception of birds.

“I’m very interested in human-bird relationships,” said senior study author Dr. Christoph Randler, also from the University of Tübingen.

“Bird sounds are often considered one of the most enjoyable aspects of spending time in nature, and previous research has shown that they can contribute to psychological restoration and well-being. However, not all bird sounds are perceived equally positively.”

For example, the barn owl finished rock bottom with an average pleasantness score of just 1.32.

A narrower bandwidth, which captures the range of frequencies a song used, and greater complexity, the number and variety of elements in the song, were perceived as more pleasant, as were birdsongs at a higher frequency or with a relatively low amplitude. The songs that scored highest also avoided a key frequency range where human hearing is highly sensitive.

“We might be wired to prefer more variable sounds with moderate amplitudes and frequencies because they signal a safe, healthy, and restorative environment where we can relax,” said Dr. Kalb.

To follow up the research, they want to carry out larger studies with broader samples including more men, different cultures, and more experienced birdwatchers.

“I would love to investigate how bird sounds influence people in real-world environments,” Dr. Randler said. “That would help us better understand the role that healthy ecosystems play in supporting both biodiversity and human well-being.”

Top 20 Most Pleasant (Old World) Bird Songs
  • 1. Common Blackbird (4.52 average pleasantness score)
  • 2. Willow Warbler (4.45)
  • 3. Blackcap (4.43)
  • 4. Mistle Thrush (4.33)
  • 5. Garden Warbler (4.30)
  • 6. Dunnock (4.30)
  • 7. Chaffinch (4.29)
  • 8. Common Nightingale (4.26)
  • 9. Common Linnet (4.26)
  • 10. European Goldfinch (4.26)
  • 11. European Pied Flycatcher (4.25)
  • 12. Eurasian Wren (4.24)
  • 13. Skylark (4.23)
  • 14. Eurasian Golden Oriole (4.17)
  • 15. Common Cuckoo (4.13)
  • 16. Tree Pipit (4.08)
  • 17. Common Redstart (4.08)
  • 18. European Greenfinch (4.08)
  • 19. Eurasian Treecreeper (4.05)
  • 20. European Robin (4.04) 
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